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Digital Research in the Arts and Humanities: Shakespeare's Language in Digital Media Old Words New Tools (2016, Hardcover) by download FB2, DJV, MOBI

9781472427977


1472427971
Old Words, New Tools asks how digital research tools are changing the ways in which practicing editors historicize Shakespeare'e(tm)s language. Scholars now encounter, interpret, and disseminate Shakespeare'e(tm)s language through an increasing variety of digital resources, including online editions such as the Internet Shakespeare Editions, searchable lexical corpora such as the Early English Books Online-Text Creation Partnership or the Lexicons of Early Modern English collections, high-quality digital facsimiles such as the Folger Shakespeare Library'e(tm)s Digital Image Collection, text visualization tools such as Voyant, apps for reading and editing on mobile devices, and more. What new insights do these tools offer about the ways Shakespeare'e(tm)s words made meaning in their own time? What kinds of historical or historicizing arguments can digital editions make about Shakespeare'e(tm)s language? A growing body of work in the digital humanities allows textual critics to explore new approaches to editing in digital environments, and enables language historians to ask and answer new questions about Shakespeare'e(tm)s words. The authors in this unique book explicitly bring together the two fields of textual criticism and language history in an exploration of the ways in which new tools are expanding our understanding of Early Modern English., The authors of this book ask how digital research tools are changing the ways in which practising editors historicize Shakespeare's language. Scholars now encounter, interpret, and disseminate Shakespeare's language through an increasing variety of digital resources, including online editions such as the Internet Shakespeare Editions, searchable lexical corpora such as the Early English Books Online-Text Creation Partnership or the Lexicons of Early Modern English collections, high-quality digital facsimiles such as the Folger Shakespeare Library's Digital Image Collection, text visualization tools such as Voyant, apps for reading and editing on mobile devices, and more. What new insights do these tools offer about the ways Shakespeare's words made meaning in their own time? What kinds of historical or historicizing arguments can digital editions make about Shakespeare's language? A growing body of work in the digital humanities allows textual critics to explore new approaches to editing in digital environments, and enables language historians to ask and answer new questions about Shakespeare's words. The authors in this unique book explicitly bring together the two fields of textual criticism and language history in an exploration of the ways in which new tools are expanding our understanding of Early Modern English.

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As a teacher, including more than forty years at the Yale School of Drama, Lee shaped generations of theatre artists--not only set designers, but costume and lighting designers, as well as directors, writers and dramaturgs.Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare.The chase moves around the world, from Philadelphia to Shiraz, London to Dubai, Beverly Hills to Tbilisi.No one not even their author believed that his writings would last.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world.Descriptive not prescriptive The first dictionary to describe rather than prescribe contemporary Hebrew.An introduction by Salman Rushdie explores the liberating legacy of Cervantes and Shakespeare for contemporary fiction.Its psychologically disturbing presentation of an agressive, designing woman and a reluctant husband wooed by trickery won it little favour in earlier centuries, and both directors and critics have frequently tried to avoid or simplify its uncomfortable elements.